Okay, since I constantly seem to get sidetracked by this issue any time I try to write anything about theme parks, I might as well talk about it now.
First some quick definitions. David Younger in his fantastic book aptly titled “Theme Park Design” (add link) outlines a few different design styles that have been applied to theme parks in their relatively short history. Here they are along with their (paraphrased) definitions.
Traditional: the classic form of design that originated with Disneyland that seeks to immerse you in environments. Characteristics include almagations of different kinds of spatial entertainment (not just rides), a trend towards experiential vs explicit story, loose theming. Pirates of the Caribbean or The Haunted Mansion.
I was recently watching the Robert Zemeckis version of A Christmas Carol (the motion capture one with Jim Carrey) and it really struck me again just how well suited to a theme park or theatre experience it would be. I particularly love this version because of just how dark it is, to me really illustrating the vision of what A Christmas Carol should be. Aka a nightmare. (A happy dream isn’t going to change your bad ways is it?)
Also I probably should have cropped some of these images. You live and learn I guess starting off a new blog. LOL.
Anyway, I had a series of images mostly just pop into my head and I decided to try and put them down. So here’s an idea for a theme park show or immersiveish experience (at least one scene would make it impossible for normal theatre).
So the movie begins and ends with an illustrated book fading into the actual action of the movie. I’ve always loved this kind of effect, especially when done live (the Jungle Book show at Animal Kingdom used to do this). So the opening curtain is styled in the same way, like an illustration out of a book with a scene of Scrooge going about town. When the music starts the lights fade and it would line up perfectly with the real set and actors. Continue reading “A Christmas Carol!”